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For the Term of His Natural Life
This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR’d book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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(out of 6 reviews)
List Price: $ 38.75
Price: $ 21.85
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#2 written by Graham 1 year ago
Review by Graham for For the Term of His Natural Life
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Clark’s writings in this book give you an insight into penal life in Australia’s early history. His writing style gives you an empathy with the characters,and his descriptons of the Port Arthur site make you feel as if you are there. Some time later I visited Port Arthur, and Clark’s writings came back. When you have been there you realise how good the book is. -
#3 written by Anonymous 1 year ago
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I read this book while in and returning from Tasmania. I found it to be a much better insight into the history and mentality of Australia than any tour/travel planner I read. It has survived the test of time because it is so accurate in its portrayal of the penal transportation system. It also serves to show that the recent tragedy at Port Arthur Tasmania is minor and almost insignificant if it is compared to what the “civilized” british empire performed at the same location -
#4 written by Luca Graziuso 1 year ago
Review by Luca Graziuso for For the Term of His Natural Life
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Marcus Clarke’s masterpiece stands atop the great novels of Australian literature (the other being Robbery Under Arms by Rolf Boldrewood). The novel is Victorian in its elocution and execution but it stands as a unique work of art alienated from the Dickens and Victor Hugo to which he is often assimilated by a brooding sense of intemperance for “what man has made of man”. The novel traces the travails of Rufus Dawes as he is convicted and for a crime he did not commit. The story may seemingly be a novelization of the condition of the penal system in Australia during the late 19th century and it is often described as consisting of humanitarian and social concerns which are serialized without reserve or discretion. The aims of justice are thwarted and contorted to the point that it becomes compromising and compromised presence in the life of Rufus. The depictions of characters such as the cruel Lt. Maurice Frere, the tragically troubled Reverend North, a hoard of convicts with whom Rufus escapes and most importantly the Sylvia, the woman and passion of Rufus, she who will prove to be his hopeless vindication and the source of a sinuously artful and savage betrayal.
The plot is winding and however it sports coincidences that strain the verisimilitude of contemporary readership it never fails to engross and entertain, enlighten and provoke.
In essence a group of convicts escapes from the Port Arthur penitentiary. Getting lost in the wilderness, lacking survival skills and soon running out of food supplies, the men begin to starve and end up cannibalizing each other. It does not get any more brutal than that if it were not for the underlining love story that dramatizes the very pulse of the passion for justice intimated by the narrator.
Clarke’s style may at times become but a grotesque imitation of Dickens, while at others it is transported by a the pellucid writing that sublimates the atmosphere of the outback wilderness and the disgraceful penal institution he indicts with an alien melancholy that engulfed in a slough of spiritual disorientation.
The love story is indefinable and best described as tragic, humane and gripping. The ultimate mark of its ascension found in Sylvia’s death due to shipwreck.
Some reviewers have commented that it speaks about the Australian mind set, but it should be kept in mind that Marcus Clarke was a transplant and of British origin, of aristocratic birth, and a schoolfellow of Gerald Hopkins at Highgate Grammar School where he was described by the Christian poet as a “kaleidoscopic, parti-coloured, harlequinesque, thaumatropic” – (a thaumatrope was a kind of complementary holographic toy popular during Victorian times).Marcus Clarke arrived in Melbourne only at the age of 16. The narrative is a story that engages on all levels and it is its cynical affectation of indifference to human values that absolves the broodingly pathetic morbidity that on occasions overwhelms.
The picaresque overload of the narrative is infectious and its churlish adaptation of the phantasmagoria of the wild never idyllic and compellingly savage. The sentimental excursions into pathos, as in the story of Pretty Dick, a young boy who lost dies in the Bush, and Poor Joe, the dumb cripple who dies in a flood to save a girl and her lover. These are passionate and generous descriptions of a sensitive soul that has seen nature through its most unsparing cruelty, be it social or primordial.
The most outstanding element of the novel however is found in its forgiving sentiment. As with his favorite Shakespearean quote, “through faults great men are born”, we realize that wrongdoings and the severity of circumstances are but the chance to venture into the farthest reaches of the human soul, when all is lost and all is found… -
#5 written by Anonymous 1 year ago
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I am planning a trip to Tasmania and it was recommended that I read Clarke’s epic tale. It is one of inspiration and great character and describes life, the conditions and environment in which those men and women suffered. I am particularly looking forward to visiting Sarah Island and Port Arthur so I can get a taste of what those people (both innocent and guilty) had to endure. Definately recommended reading for those planning a holiday to Tassie! - Comment Feed for this Post
Review by Susanna Duffy for For the Term of His Natural Life
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For the term of his Natural Life is an Australian classic, a tale of inhumanity and suffering during Australia’s early colonial history.
The more I read this, the more I see in it the emerging attitudes that play a very large part of Australian culture today. To start with, there is no significant reference to the Aboriginal people, the actual owners of the land, they seem to barely exist at all and when they do they are dismissed.
The characteristic disrespect for authority is here of course, for there’s no attempt to soften the truth of the degradation and cruelty, it’s a living, breathing image of the times. It broke my heart as a teenager for the prisons that Clarke describes in Tasmania and Norfolk Island are the prisons where my 12 year old great grandfather was cruelly tormented.
But Clarke doesn’t attempt to persuade us with pity. Nor are we persuaded to to censure. Clarke merely portrays the atmosphere and attitudes of the period.
Please don’t confuse the book with the fim starring Anthony Perkins. The only similarity is the title.
In the film, the working class Rufus Dawes becomes young aristocrat Richard Devine. The plot dives to the depths as the dashing young gentleman Devine is wrongly accused of murder and shipped off to the penal colony to suffer under the harsh prison conditions where he resolves to escape and restore his good name. Only the help of Sylvia, the prison Commandant’s daughter, can save him. A nice, trite sample of maudlin mush.
Marcus Clarke would be spinning in his grave if he knew of this travesty